|Bb |Db |Db C |B D G |E | |F Dmi |Bb Gmi |C F |Ami Dmi | |B F# |C# G |Bb F |Bb Ab || |G E |A E |G E |A E | |A E |G D |F C |Eb Bb | |F |Ab |F |Ab | |Ab |A |Bb |B | |C G |Bb F |Ab Eb |Gb Db || |F Dmi |Bb Gmi |F Dmi |Bb Gmi | |F Dmi |Bb C |C |Db | |F Dmi |Bb C |C F |Ami Dmi | |Bb |Db |Db C |B D G |E | |F Dmi |Bb C |C F |Ami Dmi | |Bb |Db |Db C | || |Dmi |Emi |Ami | | |F |Dmi |Bb |Gmi | |F |Dmi |Bb |Gmi | |F |Dmi | | || -- E|E|----------------------------------------------------------------------------|| Jeff Langille |"...if I were standing next to you with a metronome and ! blee@is.dal.ca !a baton (frowning and smoking a lot of cigarettes), I | Halifax, N.S. |would insist that the rhythms be accurate , and that only ! !the pitches which reside outside the basic tonality | ugrita fusft |(the original "wrong notes") could be altered." - FZappa ! E|E|----------------------------------------------------------------------------||