E|E|------------------------------------------------|-----------| B|E|------------------------------------------------|-----------| G|-7--X-X--0-7-6--X-X--0-0-0-9--X-X--0-9-8--X-X--7-7-7-7-----| D|-7--X-X--0-7-6--X-X--0-0-0-9--X-X--0-9-8--X-X--7-7-7-7-----| A|-7--X-X--0-7-6--X-X--0-0-0-9--X-X--0-9-8--X-X--7-7-7-7-----| E|E|------------------------------------------------|-----------|Lee: A lot of notes have delay and trem bar effects on them, so experiment.E|--0-(that's| wrong)-------0---------19\17-17-17--19\17-17-17--19----| B|-------------------------(b| end violently with trem bar)------------| G|------------------12-----------------------------------------------| D|E|------------------------------------------------|-------------------| A|E|------------------------------------------------|-------------------| E|E|------------------------------------------------|-------------------| E|---19~17~19-19E|------------------------------------------------|-----| B|---(tr| ill with trem bar fast)--------------------------------------| G|----------------------0-0-0-0-0-0-0-0-0-0-0-0-0-0-| etc.-------------| D|E|------------------------------------------------|-------------------| A|E|------------------------------------------------|-------------------| E|E|------------------------------------------------|-------------------|"Androgynous Mind": 0:42 0:46 0:48E|-----------------------------------------| This repeats a few times B|-----------------------------------------| until "Hey hey its okay" G|---------12-14-15\14-------14--12--15----| D|---10\-----------------------------------| A|---//------------------------------------| E|---//------------------------------------|** fast trem picked slide backwards1:12 1:39 (trills) E|-------------------------------------| B|-------------------------------------| G|--14--14-14--14--14-----------14-----| D|------------------------10\----------| A|------------------------//-----------| E|------------------------//-----------| E|----19~17~19~17~19--| etc.-------------19~17~19--etc.-| B|E|------------------------------------------------|----| G|--------------------------0-0-0-0-0-| etc.------------| D|E|------------------------------------------------|----| A|E|------------------------------------------------|----| E|E|------------------------------------------------|----|Bend furiously with trem bar At 1:53 Lee turns on a phaser, then at 2:07 plays:E|---19---17---19--(b| end up!!!)-----| B|---//--------//-------------------| G|---//--------//-------------------| D|----------------------------------| A|----------------------------------| E|----------------------------------|Trem pick the 19's and play the 17 briefly, then bend the second 19 up. Lee plays this a few times, then dissolves into total noise. Use lots of feedback, delay, phaser, and wild trem bar effects. Then, when it gets quiet:E|-------------------| E|------------------------------------------------|| B|-------------------| E|------------------------------------------------|| G|-------------------| E|------------------------------------------------|| D|-----------7---10--| ---7\10-----7\5\7\10----------*7*(harmonic)-----| A|--4---7------------| ------------------------7--5--------------------| E|--4---7------------| E|------------------------------------------------||Notes aren't picked, just fretted and sustained. Where the **** Lee "plays" some hand slides.E|E|------------------------------------------------|------------------------| B|E|------------------------------------------------|------------------------| G|E|------------------------------------------------|------------------------| D|E|------------------------------------------------|------------------------| A|--7\5/9\-----9\8\7\6\5---5/7--5/7-9-----9--7-7\5----5\4---2--\3--\4--\5-| E|E|------------------------------------------------|------------------------| E|------------------------------------------------|THE SONIC YOUTH GUITAR/BASS TABA TUD ARCHIVE:
Androgynous Mind
Sonic Youth
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Tom:
Composição: Thurston Moore, Kim Gordon, Steve Shelley e Lee Ranaldo
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