Christine Sixteen

Kiss

Tuned down 1/2-step



Key:
/    = slide up
\    = slide down
b    = bend (whole step)
b^   = bend (1/2 step)
b^^  = bend (1 1/2 steps)
pb   = pre-bend
r    = release-bend
t    = tap with righthand finger
h    = hammer-on
p    = pull-off
~    = Vibrato
*    = Natural Harmonic
#(#) = Trill
**   = Artificial Harmonic
x    = Dead notes (no pitch)
P.M. = Palm mute (- -> underneath indicates which notes)
(\)  = Dive w\bar
(/)  = Release w\bar
Tp   = Tap w\plectrum




Rhythm Fig. 1
                                              
Gb|---------------------------------------------|
Db|---------------------------------------------|
Ab|---------------------------------------------|
Eb|--0--0------0--0-----------------------------|



Rhythm Fig. 2a
                                              
Gb|---------------------------------------------|
Db|---------------------------------------------|
Ab|--------------------5--5------5--5-----------|
Eb|--0--0------0--0-----------------------------|


                                                 
Gb|---------------------------------------------|
Db|---------------------------------------------|
Ab|--------------------5----5-------------------|
Eb|--0--0----0--0----------------4/-5--5--3--0--|




Rhythm Fig. 2b
                                              
Gb|---------------------------------------------|
Db|---------------------------------------------|
Ab|--------------------5--5------5--5-----------|
Eb|--0--0------0--0-----------------------------|


                                                   
Gb|------------------------------------14-------|
Db|-----------------------------7/-14------14\--|
Ab|--------------------5----5-------------------|
Eb|--0--0----0--0-------------------------------|




Rhythm Fig. 2c
                                              
Gb|---------------------------------------------|
Db|---------------------------------------------|
Ab|--------------------5--5------5--5-----------|
Eb|--0--0------0--0-----------------------------|


                                                
Gb|---------------------------------------------|
Db|---------------------------------------------|
Ab|--------------------5----4--2--0-------------|
Eb|--0--0----0--0----------------------4--2-----|




Rhythm Fig. 3
                                                 
Gb|---------------------------------------------|
Db|--------------2------0----0--------0---------|
Ab|-----------2-----------------2--0---------0--|
Eb|--0--3--4------------------------------------|


                                                  
Gb|---------------------------------------------|
Db|---------------------------------0-----------|
Ab|----0--2--0--3--2--0-------2--3-------3--2---|
Eb|----------------------3----------------------|






Rhythm Fig. 4a
                                                 
Gb|---------------------------------------------|
Db|--------------2------0----0--------0---------|
Ab|-----------2-----------------2--0---------0--|
Eb|--0--3--4------------------------------------|


                                               
Gb|---------------------------------------------|
Db|-----------0---------------------------------|
Ab|--------------------0------------------------|
Eb|--3------------------------------------------|



Rhythm Fig. 4b
                                                 
Gb|---------------------------------------------|
Db|--------------2------0----0--------0---------|
Ab|-----------2-----------------2--0---------0--|
Eb|--0--3--4------------------------------------|


                                                   
Gb|---------------------------------------------|
Db|-------------0-------------------------------|
Ab|-------2--3-------3--2--0--------------------|
Eb|--3------------------------------------------|



Rhythm Fig. 5
                                              
Gb|---------------------------------------------|
Db|---------------------------------------------|
Ab|--2------2--2------2----2--2--------14\------|
Eb|---------------------------------------------|


                                                
Gb|--------------------------------------------|
Db|--------------------2----x--4/6---4----2----|
Ab|-----------------2--------------------------|
Eb|--0--------3--4-----------------------------|


                                            
Gb|---------------------------------------------|
Db|---------------------------------------------|
Ab|--2------2--2------2----2--------------------|
Eb|---------------------------------------------|









Christine sixteen
Gene Simmons

[Rhy. Fig 1] (2x)
[Rhy. Fig 2a] (2x)

[Rhy. Fig 3]
She's got me dizzy, she sees me through to the end 
[Rhy. Fig 4a]
She's got me in her hands and there's no use in pretending 

[Rhy. Fig 2a]
Christine sixteen 
[Rhy. Fig 2b]
Christine sixteen 

[Rhy. Fig 3]
She drives me crazy, I want to give her all I've got 
[Rhy. Fig 4a]
And she's hot every day and night, there is no doubt about it 

[Rhy. Fig 2a]
Christine sixteen
[Rhy. Fig 2b]
Christine sixteen 

("I don't usually say things like this to girls your age, but when I saw you 
coming out of the school that day, that day I knew, I knew, I've got to have 
you, I've got to have you.")

[Rhy. Fig 3]
[Rhy. Fig 4b]

[Rhy. Fig 5]
She's' been around, but she's young and clean 
I've got to have her, can't live without her, whoo no 

[Rhy. Fig 2b]
Christine sixteen
[Rhy. Fig 2a]
Christine sixteen 

[Rhy. Fig 1] (4x)

[Rhy. Fig 2a]
Christine, Christine, sixteen, sixteen 
Christine, yeah, yeah 

[Rhy. Fig 2c]
So clean, Christine, sixteen, sixteen 
Christine, yeah, Christine, yeah, yeah 
Christine, Christine, sixteen, sixteen 
Christine, yeah, Christine, yeah, yeah 
Christine, Christine, sixteen, sixteen 
Christine, yeah, yeah, yeah, yeah 
Christine, Christine, sixteen, sixteen 
Christine, yeah, yeah, yeah 
 





_______________________________________________________
Contribuição: Flavio Francisco de Moura(flaviomoura@uol.com.br)