D Did you forget it's a bus rideBm Or are you dressed up for somebody to care?G Gm There's somewhere to beD Ain't there? Doomed to your configurationBm Or that there's water in your shoesG Gm D And someone in your arms [Chorus]G Because she's used to being told she's perfect andGm Used to all them cryingD So what's the difference? What makes meD7 different?G You'll be mine again, I'll get thereF#m Bm I guess I'll wait and seeEm Gm But she's like, "Boy, don't tell me you'reD still crying for me"Em Gm And she's like, "Boy, don't tell me you'reD still crying for me"D D Bm Bm G Gm D [Verse 2]D It looks like rain and boarding signsBm G Your transatlantic lullabyGm D When you got awayG And she'll need a piece of you to take alongF#m Bm And that is not real goodG Gm D And it's just the start [Chorus]G Because she's used to being told she's perfect andGm Used to all them cryingD So what's the difference? What makes meD7 different?G You'll be mine again, I'll get thereF#m Bm When you’re not busy being youEm Gm But she's like, "Boy, don't tell me you'reD still crying for me"Gm And she's like, "Boy, don't tell me you'reD still crying for me"Bm DBm DEm DEm Gm DEm Gm D [Outro]Em Gm D Revolving door does turn with you aroundEm Gm In celebration, you bringD Still ringing outEm I've played out every lineF#m Alacrity's hiding placeA Bm Always occupiedEm G A But to slip at the slightest inviteEm G A Surely he's not too far besideEm Gm And baby, I'll be alrightA D With it this time
Revolving Door
DYSN
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Continua depois do anúncio
Tom:
- A
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- D7
- Em
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- G
- Gm