E|-------------------0----------------------------|
B|----------0-----------0--------0----------0-----|
G|-------0-----0-----------0--------0----------0--|
D|----0-----------0-------------------------------|
A|-5--------------------------4--------0h2--------|
E|------------------------------------------------|

E|----------------------0--------------------------|
B|----0--------0-----------0-----0--------0--------|
G|-------0--------0-----------------0--------0-----|
D|----------------------------------------------0--|
A|-0--------0--------0-----------------------------|
E|----------------------------4--------0-----------|

   FIG. II:-
   =========

E|----------------------------------------------------|
B|----------------------------------------------------|
G|----------------------------------------------------|
D|-------0-----0--------0-----0-----0-----0-----0-----|
A|----------0--------2-----0-----------------2--------|
E|-0--2-----------0--------------2-----0-----------0--|

E|---------|
 |1st time
E|-----------------------------------------------|
B|-----------------------------------------------|
G|-----------------------------------------------|
D|----0-----0--------0--------0--------0---------|
A|-------0--------2-----0--------0--------2------|
E|-2-----------0-----------2--------0--------0---|
                                      {triplet}

E|---------|
 |2nd time
E|----------------------------------------|
B|----------------------------------------|
G|----------------------------------------|
D|-------0-----0--------0-----0-----0-----|
A|----------0--------2-----0--------------|
E|-0--2-----------0--------------2-----0--|

   VERSE (part a):-
   ================

E|------------------------------------------------|
B|----------0-------------------------------------|
G|-------0-----0-----------0--------0----------0--|
D|----0-----------0-----0--------0----------0-----|
A|-5-----------------5--------4--------0h2--------|
E|------------------------------------------------|


   VERSE (part b):-
   ================

E|--------------------------------------------------|
B|----------0---------------------------------------|
G|-------0-----0-----------0--------0--------0------|
D|----0-----------0-----0--------0--------0-----0---|
A|-0-----------------0------------------------------|
E|----------------------------4--------0------------|

   FIG III:-
   =========

E|-------------------0-----|-------------------0-----|
B|----------------------0--|----------------------0--|
G|----------------0--------|----------------0--------|
D|-------0-----0-----------|-------0-----0-----------|
A|-0--2-----5--------------|-0--2-----5--------------|
E|-------------------------|-------------------------|

E|-------------------0------------------------------|
B|----------0-----------0---------------------------|
G|-------0-----0-----------0--------0--------0------|
D|----0-----------0--------------0--------0-----0---|
A|-0------------------------------------------------|
E|----------------------------4--------0------------|

ENDING CHORD:-

E|---0---|
B|---0---|
G|---0---|
D|---0---|
A|---2---|
E|---0---|


WORDS (with the relevant part a or b of the verse rhythm):-

Verse 1:-

a:   You can say the sun is shining if you really want to
b:   I can see the moon and it seems so clear
a:   You can take the road that takes you to the stars
b:   I can take a road that'll see me through
b:   I can take a road that'll see me through

Verse 2:-

a:   You can take a road that takes you to the stars now
b:   I can take a road that'll see me through
b:   I can take a road that'll see me through
b:   I can take a road that'll see me through

NOTES:-

I've not bothered to type in the timing of the notes, but it's very
easy to figure out just by listening to the CD; at least you'll know
where to put your fingers...

There are places in the song where there are minor variations, but I
think it's nicer if you just put these in for yourself. Whatever Nick
Drake was at the time of Pink Moon, he certainly wasn't a
perfectionist
in terms of rigid guitar playing. Keep it sounding scruffy and loose
and
you won't go far wrong.