I Write Sins Not Tragedies

Panic! At The Disco

  • Am
  • D7
  • Dm
  • F
  • Fmaj7
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Continua depois do anúncio
Tom:
E|-----------------|-----------------|-----------------|-----------------| B|-----------------|-----------------|-----------------|-----------------| G|-----5-------4---|-----5-------4---|-----5-------4---|-----5-------4---| D|---2-------2-----|---2-------2-----|---2-------2-----|---2-------2-----| A|-0---------------|-0---------------|-0---------------|-0---------------| E|-----------------|-----------------|-----------------|-----------------| E|-----------------|-----------------|-----------------|-----------------| B|-----3------3----|-----3-------3---|-----1-------1---|-----1-------1---| G|---5------5------|---5-------5-----|---4-------4-----|---4-------4-----| D|-4---------------|-4---------------|-3---------------|-3---------------| A|-----------------|-----------------|-----------------|-----------------| E|-----------------|-----------------|-----------------|-----------------|
[Verse 1]
Am Oh, well imagine, as I'm pacing the pews in a church corridor,
D7 F and I can't help but to hear, no I can't help but to hear an exchanging of words:
Am "What a beautiful wedding! What a beautiful wedding!" says a bridesmaid to a waiter.
D7 F "Yes, but what a shame, what a shame, the poor groom's bride is a whore." [Chorus]
Am Dm F G Am I'd chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Dm F G No, it's much better to face these kinds of things with a sense of poise and rationality.
Am Dm F G Am I'd chime in, "Haven't you people ever heard of closing a goddamn door?!"
Dm F G No, it's much better to face these kinds of things with a sense of... [Verse 2]
Am D7 Well in fact, well I'll look at it this way, I mean technically our marriage is saved
F Well this calls for, a toast so, pour the champagne
Am D7 Oh! Well in fact, well I'll look at it this way, I mean technically our marriage is saved
F Well this calls for a toast, so pour the champagne, pour the champagne [Instrumental]
Fmaj7 G Fmaj7 Dm [Chorus]
Am Dm F G Am I'd chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Dm F G No, it's much better to face these kinds of things with a sense of poise and rationality.
Am Dm F G Am I'd chime in, "Haven't you people ever heard of closing a goddamn door?!"
Am Dm F Am Dm F No, it's much better to face these kinds of things with a sense of poise and rationality.
Am F G Again...... [Chorus]
Am Dm F G Am I'd chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Dm F G No, it's much better to face these kinds of things with a sense of poise and rationality.
Am Dm F G Am I'd chime in, "Haven't you people ever heard of closing a goddamn door?!"
Am Dm F Am Dm F No, it's much better to face these kinds of things with a sense of poise and rationality.
Am F G Again......
  • Am
  • D7
  • Dm
  • F
  • Fmaj7
  • G
Informações da música

Composição: Ryan Ross, Spencer Smith e Brendon Urie

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