A#m                       F#
It’s hard to see when the streetlights are out
A#m                     F#                       A#m
I’ll get a gas lamp and visit the house that you grew up in
    F#
I’m burning it down
A#m                      F#
I’ve got the answers and you’ll be my kill
A#m                F#
I’m sorry you’re a victim of my will
A#m               F#                       A#m
Now my rooms been bleached, I’m burning it down

A#m

[Pre-Chorus]
N.C.
There really is no sense in diffusing all the tension
N.C.
when it’s all we have, it’s all we have right now


[Chorus]
A#m    C#        F#
Do you feel low, are you feeling low?
A#m         G#            F#
(Are you still listening? Are you still listening?)
A#m    C#        F#
To the sad songs on the radio?
A#m      G#               F#                        A#m
(Are you still listening? Are you still listening?)


[Verse 2]
F#                          A#m
Well can you taste the gin? Well I can’t taste anything
A#m
I’m obsessed with myself
A#m                                 D#m                               D#
I’ll put my picture on my shelf and I won’t look at someone else I'll smash the frame this evening

A#m
A letter that I wrote you, a cobweb on your door
A#m
A broken plastic window pane lying on the kitchen floor
A#m
A broken bloodied mirror that’s hanging in your hall
A#m
It’s been lying to your face since the day that you were born


[Chorus]
A#m    C#        F#
Do you feel low, are you feeling low?
A#m         G#            F#
(Are you still listening? Are you still listening?)
A#m    C#        F#
To the sad songs on the radio?
A#m      G#               F#                        A#m
(Are you still listening? Are you still listening?)


[Bridge]
F#              G#                      A#m
I’m sorry those numbers are getting you down
                      C#                                           F#
I care more about the lines you wrote than the ones that make your frown
                G#                      A
I’m sorry those numbers are getting you down
                      A#m                      G#                  A#m
I care more about the lines you wrote than the ones that make your frown


[Refrain]
N.C.
There really is no sense in diffusing all the tension
N.C.
when it’s all we have, it’s all we have right now

[Interlude]
A#m C# F# A#m G# F# x2

[Outro]
C#                              F#
When all I’m asking you is am I on your mind today?
                                   C#
Or since I’ve been away has it got worse?
                               F#
And all I’m asking you is am I on your mind today?
F#
Or since I’ve been away has it got worse?