Cifra Club

Always Changing Probably

Toad The Wet Sprocket

Cifra: Principal (violão e guitarra)
Selo Cifra Club: esta cifra foi revisada para atender aos critérios oficiais da nossa Equipe de Qualidade.
tom: C
Transcribed By: Walter Tien (*)
Lyrics added by: Ross Montante 
                                                                               
Fig. 1
||---------------------|--------------------|--------------------|
||---------------------|--------------------|--------------------|
||*-----------0--------|-----------0--------|-----------0--------|
||*--------0-----0-----|--------0-----0-----|--------0-----0-----|
||------3-----------3--|-----3-----------3--|-----3-----------3--|
||---5-----------------|--1-----------------|--3-----------------|
                                                                               
|---------------------|
|---------------------|
|-----------0--------*|
|--------0-----0-----*|
|-----2-----------2---|
|--3------------------|

Fig. 2                                                             
|--------------------|--------------------|
|--------------------|--------------------|
|-----------0--------|-----------0--------|
|--------0-----0-----|--------0-----0-----|
|-----3-----------3--|-----3-----------3--|
|--5-----------------|--1-----------------|

|--------------------|--------------------|
|--------------------|--------------------|
|-----------0--------|-----------0--------|
|--------0-----0-----|--------4-----4-----|
|-----3-----------3--|-----2-----------2--|
|--3-----------------|--0-----------------|

Fig. 3
|---------------------|
|---------------------|
|*-----------0--------|
|*-----0--------0-----|
|---2-----2--------2--|
|---------------------|

                                                                               
|--------------------|--------------------|---------------------||
|--------------------|-----------3--------|-----------3---------||
|-----------0--------|--------0-----0-----|--------0-----0-----*||
|-----0--------0-----|-----4-----------4--|-----4-----------4--*||
|--3-----0--------3--|--5-----------------|--5------------------||
|--------------------|--------------------|---------------------||


Fig. 4
||------------2--------|-----------5--------|--------------------|
||---------------0-----|--------------0-----|-----------3--------|
||*-----0-----------0--|-----0-----------0--|--------0-----0-----|
||*--2-----2-----------|--4-----4-----------|-----4-----------4--|
||---------------------|--------------------|--5-----------------|
||---------------------|--------------------|--------------------|

                                                                                
|---------------------||-----|
|-----------3---------||--3--|
|--------0-----0-----*||--0--|
|-----4-----------4--*||--2--|
|--5------------------||--3--|
|---------------------||-----|

Fig. 5
|--------------------|--------------------|
|--------------------|--------------------|
|-----------0--------|-----------0--------|
|-----0--------0-----|-----0--------0-----|
|--2-----2--------2--|--3-----0--------3--|
|--------------------|--------------------|
                                                                                

|--------------------|--------------------------|
|-----------3--------|--5--------3--------------|
|--------0-----0-----|-----0--------0-----------|
|-----4-----------4--|--------4--------4--------|
|--5-----------------|--------------------------|
|--------------------|--------------------------|

Fig. 6
|------------2--------|
|---------------0-----|
|*-----0-----------0--|
|*--2-----2-----------|
|---------------------|
|---------------------|

                                                                               
|-----------5--------|--------------------|---------------------||
|--------------0-----|-----------3--------|-----------3---------||
|-----0-----------0--|--------0-----0-----|--------0-----0-----*||
|--4-----4-----------|-----4-----------4--|-----4-----------4--*||
|--------------------|--5-----------------|--5------------------||
|--------------------|--------------------|---------------------||

Fig. 7
|--------------------|--------------------|--------------------|
|-----------3--------|-----------3--------|-----------3--------|
|--------0-----0-----|--------0-----0-----|--------0-----0-----|
|-----2-----------2--|-----2-----------2--|-----4-----------4--|
|--3-----------------|--3-----------------|--5-----------------|
|--------------------|--------------------|--------------------|

                                                                               
|--------------------|-----------------------|--0--------0--------|
|-----------3--------|--------------3--------|-----3--------3-----|
|--------0-----0-----|-----------0-----0-----|--------0--------0--|
|-----4-----------4--|--------0-----------0--|--------------------|
|--5-----------------|-----2-----------------|--------------------|
|--------------------|-----------------------|--------------------|

                                                                               
|--------0--------0--|--------0-----------|
|-----------3--------|--3--------3--------|
|--------------0-----|-----0--------0-----|
|-----0--------------|-----------------0--|
|--3-----------------|--------------------|
|--------------------|--------------------|

Fig. 8
|---------------------|
|---------------------|
|*-----------0--------|
|*--------4-----4-----|
|------2-----------2--|
|---0-----------------|

                                                                               
|--------------------|--------------------|--------------------|
|--------------------|--------------------|--------------------|
|-----------0--------|-----------0--------|--------------------|
|--------4-----4-----|--------4-----4-----|--------------------|
|-----2-----------2--|-----0-----------0--|--------------------|
|--3-----------------|--2-----------------|--------------------|

Fig. 9
|------------------------|
|---3-----1-----0-----1--|
|---0-----0-----0-----0--|
|---2-----2-----2-----2--|
|---3-----3-----3-----3--|
|------------------------|

Fig. 10
|-----------2--------|-----------5--------|
|--------------0-----|--------------0-----|
|-----0-----------0--|-----0-----------0--|
|--2-----2-----------|--4-----4-----------|
|--------------------|--------------------|
|--------------------|--------------------|
                                                                                
|--------------------|--------------------------|
|-----------3--------|-----------------3--------|
|--------0-----0-----|--------------0-----0-----|
|-----4-----------4--|-----------4-----------4--|
|--5-----------------|--------5-----------------|
|--------------------|--------------------------|


Fig. 1 x3
I wanted to follow you down to your well-finished cave and to laugh at your art
I wanted to tell you the truth but I'm always afraid you'll be torn apart
oh say the word and i'll the you you're wrong

Fig. 2 x1
oh say the word, I've been waiting for so long

Fig. 3 x4
but when you talk, there's nothing to hear
i'm always changing,

Fig. 4 x1
you're too far or too near

Fig. 1 x3
I wanted to tell her the truth but I'm always afraid that it's not in her heart
I wanted to say how I felt but I'm always afraid that she'll stop when I start
oh say the word when we're there at her home

Fig. 3 x4
but when you talk, there's nothing to hear

Fig. 5 x1
i'm always changing

Fig. 6 x 2
you're too far or too near
too far or too near

Fig. 7 x 1

Fig. 8 x 4 (guitar 2 plays Fig. 9)
Fig. 9 x 2 (guitar 2 strums, guitar 1 places more accent on changing notes of c chord)

Fig. 3 x 1
Fig. 5 x 1
oh when she talks, she's all that I hear

Fig. 3 x 1
Fig. 5 x 1
how can I help it, you're always too near

Fig. 10 x 1

Fig. 3 x 1
always too

Fig. 10 x 1
Fig. 3 x 1
too far or too near
Fig 10. x 1
too far etc...
Fig. 8
Fig. 9 end on Cadd9


 
Outros vídeos desta música
    214 exibições
      • ½ Tom
      • A
      • Bb
      • B
      • C
      • Db
      • D
      • Eb
      • E
      • F
      • F#
      • G
      • Ab
    • Adicionar à lista

    Afinação da cifra

    Afinador online

      0 comentários

      Ver todos os comentários

      Entre para o Cifra Club PRO

      Tenha acesso a benefícios exclusivos no App e no Site

      • Chega de anúncios

      • Mais recursos no app do Afinador

      • Atendimento Prioritário

      • Aumente seu limite de lista

      • Ajude a produzir mais conteúdo

      Cifra Club Pro

      Aproveite o Cifra Club com benefícios exclusivos e sem anúncios
      Cifra Club Pro
      Aproveite o Cifra Club com benefícios exclusivos e sem anúncios
      OK