Cifra Club

Always Changing Probably

Toad The Wet Sprocket

Cifra: Principal (violão e guitarra)
Selo Cifra Club: esta cifra foi revisada para atender aos critérios oficiais da nossa Equipe de Qualidade.
Tom: C
Transcribed By: Walter Tien (*)
Lyrics added by: Ross Montante

Fig. 1
||---------------------|--------------------|--------------------|
||---------------------|--------------------|--------------------|
||*-----------0--------|-----------0--------|-----------0--------|
||*--------0-----0-----|--------0-----0-----|--------0-----0-----|
||------3-----------3--|-----3-----------3--|-----3-----------3--|
||---5-----------------|--1-----------------|--3-----------------|

|---------------------| 
|---------------------| 
|-----------0--------*| 
|--------0-----0-----*| 
|-----2-----------2---| 
|--3------------------| 


Fig. 2                                                 
|--------------------|--------------------| 
|--------------------|--------------------| 
|-----------0--------|-----------0--------| 
|--------0-----0-----|--------0-----0-----| 
|-----3-----------3--|-----3-----------3--| 
|--5-----------------|--1-----------------| 


|--------------------|--------------------| 
|--------------------|--------------------| 
|-----------0--------|-----------0--------| 
|--------0-----0-----|--------4-----4-----| 
|-----3-----------3--|-----2-----------2--| 
|--3-----------------|--0-----------------| 


Fig. 3
|---------------------| 
|---------------------| 
|*-----------0--------| 
|*-----0--------0-----| 
|---2-----2--------2--| 
|---------------------| 


|--------------------|--------------------|------------
|--------------------|-----------3--------|-----------3
|-----------0--------|--------0-----0-----|--------0---
|-----0--------0-----|-----4-----------4--|-----4------
|--3-----0--------3--|--5-----------------|--5---------
|--------------------|--------------------|------------

||---------|| 
||---------|| 
||--0-----*|| 
||-----4--*|| 
||---------|| 
||---------|| 


Fig. 4
||------------2--------|-----------5--------|--------------------|
||---------------0-----|--------------0-----|-----------3--------|
||*-----0-----------0--|-----0-----------0--|--------0-----0-----|
||*--2-----2-----------|--4-----4-----------|-----4-----------4--|
||---------------------|--------------------|--5-----------------|
||---------------------|--------------------|--------------------|


|---------------------||-----| 
|-----------3---------||--3--| 
|--------0-----0-----*||--0--| 
|-----4-----------4--*||--2--| 
|--5------------------||--3--| 
|---------------------||-----| 


Fig. 5
|--------------------|--------------------| 
|--------------------|--------------------| 
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|-----0--------0-----|-----0--------0-----| 
|--2-----2--------2--|--3-----0--------3--| 
|--------------------|--------------------| 


|--------------------|--------------------------| 
|-----------3--------|--5--------3--------------| 
|--------0-----0-----|-----0--------0-----------| 
|-----4-----------4--|--------4--------4--------| 
|--5-----------------|--------------------------| 
|--------------------|--------------------------| 


Fig. 6
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|---------------0-----| 
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|---------------------| 
|---------------------| 


|-----------5--------|--------------------|------------
|--------------0-----|-----------3--------|-----------3
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|--------------------|--5-----------------|--5---------
|--------------------|--------------------|------------

||---------|| 
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||--0-----*|| 
||-----4--*|| 
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Fig. 7
|--------------------|--------------------|------------
|-----------3--------|-----------3--------|-----------3
|--------0-----0-----|--------0-----0-----|--------0---
|-----2-----------2--|-----2-----------2--|-----4------
|--3-----------------|--3-----------------|--5---------
|--------------------|--------------------|------------

||--------| 
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||--0-----| 
||-----4--| 
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|--------------------|-----------------------|--0------
|-----------3--------|--------------3--------|-----3---
|--------0-----0-----|-----------0-----0-----|--------0
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|--5-----------------|-----2-----------------|---------
|--------------------|-----------------------|---------

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|--------------------|--------------------| 


Fig. 8
|---------------------| 
|---------------------| 
|*-----------0--------| 
|*--------4-----4-----| 
|------2-----------2--| 
|---0-----------------| 


|--------------------|--------------------|------------
|--------------------|--------------------|------------
|-----------0--------|-----------0--------|------------
|--------4-----4-----|--------4-----4-----|------------
|-----2-----------2--|-----0-----------0--|------------
|--3-----------------|--2-----------------|------------


Fig. 9
|------------------------| 
|---3-----1-----0-----1--| 
|---0-----0-----0-----0--| 
|---2-----2-----2-----2--| 
|---3-----3-----3-----3--| 
|------------------------| 


Fig. 10
|-----------2--------|-----------5--------| 
|--------------0-----|--------------0-----| 
|-----0-----------0--|-----0-----------0--| 
|--2-----2-----------|--4-----4-----------| 
|--------------------|--------------------| 
|--------------------|--------------------| 


|--------------------|--------------------------| 
|-----------3--------|-----------------3--------| 
|--------0-----0-----|--------------0-----0-----| 
|-----4-----------4--|-----------4-----------4--| 
|--5-----------------|--------5-----------------| 
|--------------------|--------------------------| 


Fig. 1 x3
I wanted to follow you down to your well-finished cave 
and to laugh at your art
I wanted to tell you the truth but I'm always afraid 
you'll be torn apart
oh say the word and i'll the you you're wrong

Fig. 2 x1
oh say the word, I've been waiting for so long

Fig. 3 x4
but when you talk, there's nothing to hear
i'm always changing,

Fig. 4 x1
you're too far or too near

Fig. 1 x3
I wanted to tell her the truth but I'm always afraid 
that it's not in her heart
I wanted to say how I felt but I'm always afraid that 
she'll stop when I start
oh say the word when we're there at her home

Fig. 3 x4
but when you talk, there's nothing to hear

Fig. 5 x1
i'm always changing

Fig. 6 x 2
you're too far or too near
too far or too near

Fig. 7 x 1

Fig. 8 x 4 (guitar 2 plays Fig. 9)
Fig. 9 x 2 (guitar 2 strums, guitar 1 places more 
accent on changing notes of c chord)

Fig. 3 x 1
Fig. 5 x 1
oh when she talks, she's all that I hear

Fig. 3 x 1
Fig. 5 x 1
how can I help it, you're always too near

Fig. 10 x 1

Fig. 3 x 1
always too

Fig. 10 x 1
Fig. 3 x 1
too far or too near
Fig 10. x 1
too far etc...
Fig. 8
Fig. 9 end on Cadd9


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    216 exibições
      • ½ Tom
      • A
      • Bb
      • B
      • C
      • Db
      • D
      • Eb
      • E
      • F
      • F#
      • G
      • Ab
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