Intro/Verse G# G# A# A# G# G# A# A# E|-------------------------------------------------------------------]| B|---0-------0-----------0------2----0--------0-----------0-------2--]| G|-----6-------4-----1------1-----------6--------5-----1-------1-----]| D|----6-------6--------2------2-------6--------6---------2-------2---]| A|--0-------0-------2------2--------0--------0--------2-------2------]| E|-------------------------------------------------------------------]| To a point of ironic interest… F F G G G#2 E|----------------------------------------------------------------------------]| B|-------0------0------0------0-------0------0------0------0------------------]| G|-----1------1------4------4-------4------4------4------4--------------------]| D|------2------2------2------2-------2------2------2------2-------------------]| A|---------------------------------0------0------0------0---------------------]| E|----2------2------4------4--------------------------------------------------]| Through antique grooves… G# G# A# A# G# G# A# A# E|-------------------------------------------------------------------]| B|---0-------0-----------0------2----0--------0-----------0-------2--]| G|-----6-------4-----1------1-----------6--------5-----1-------1-----]| D|----6-------6--------2------2-------6--------6---------2-------2---]| A|--0-------0-------2------2--------0--------0--------2-------2------]| E|-------------------------------------------------------------------]| Ending just repeats the last part over and over. G# A# G# As you know me, you know I like to keep my chatting short and sweet. A# G# It's really for the sake of who's listening. A# G# A# Typically, when I'm long-winded, it's pretty lame. G# But as opinions bleed out A# G# I'll make it quick before your records wear out A# G# A# I'll raise my voice on the subject of subtle sounds G# A# And talk your ear right off F G To a point of ironic interest G#2 G# A# G# A# On early '60s portraits through antique grooves. G# A# G# A# Through antique grooves. G# You see this could be you A# Columbia aught 62 G# A# All dolled-up in a blue classic background G# And this could be me A# G# Atlantic aught 63 A# F In a suit poised alone, I spin solos as stories G G# But you and I could never be that lavish F G It's a point of ironic interest G#2 G# A# G# A# On early '60s portraits through antique grooves. Through antique grooves Through antique grooves
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