Always with Me Always with You
			==============================

A                                                                    
     x3
|-------------------|------------------|------------------|---------------|
|o------13-14-13----|------13-14-13----|------11-13-11----|-----9-11-9---o|
|o---14----------14-|---14----------14-|---11----------11-|---9--------9-o|
|--7----------------|-7----------------|-0----------------|-2-------------|


                                                                    fine
|----------------|------------------|-----------------|---------------||
|------9-11-9----|------11-13-11----|-------9-11-9----|-----8-11-8----||
|----9--------9--|---11----------11-|----9----------9-|---9--------9--||
|--4-------------|-0----------------|-2---------------|-2-------------||



B
|-----------|----------|-13-------|--------------|
|-----13-14-|-16-------|----16-14-|-13-14--------|
|-----------|----------|----------|-------16-----|
|-7---------|-7--------|-0--------|-2------------|


|-----------|----------|----------|--------------|
|-----------|-------13-|-14-13----|--------------|
|-----------|-14-16----|-------16-|-9------------|
|-7---------|-7--------|-0--------|-2------------|

|-----------|----------|----------|--------------|
|-----------|-9--------|-11-/-13-\|-11-----------|
|------9-9--|------9-9-|----------|--------------|
|-7---------|-7--------|-0--------|-2------------|

                                            DC al fine
|-----------|-13-------|----------|-------------||
|-13-14-16--|----16-14-|-13-------|-16----------||
|-----------|----------|----------|-------------||
|-4---------|-0--------|-2--------|-2-----------||


This is one of the songs that blew me (and numerours other people) away
when I first heard Stu Hamm when he played on the Satch tour. This track
demonstrated how Stu's technique could be part of a great song, playing
an important supporting role.

Notes
	this part on the tour. Left hand plays the bass line on the  
E string
	while the right arpegiates the chords. The tapped patterns  
are all
	pretty fundamental fingerings that crop up time and time again.
	Learn them well, and you'll be ready to fill out any chords as
	needed.
	
2	Section B - If Stu can play the accompaniment, you can play the
	lead! Left hand continues as before. The right hand should now be
	rotated so its at right angles to the neck (fingers point to the
	floor). The whole lead is simply under the fingers, apart  
from the
	bit at the nineth fret where you turn your hand back to be  
parallel
	to the fretboard.
	
Ian Stephenson
*