A#
Tell all the people across the USA
          C#dim7    Cm     F7
I love my Green Bay Packers
Cm          F7          Cm         F7
Who won the first Super Bowls ever played
Cm        C#dim7    A#
I love my Green Bay Packers
A#
Pity Chicago, Detroit and Tampa Bay
              Ddim  D#
They all come up as lackers
                Edim7
We take our opposition
    A#                      G7
And crunch 'em like they're crackers
       Cm            F7        A#
That's why I love my Green Bay Packers

A#
Tell that Rush Limbaugh, tell Hillary and Bill
          C#dim7    Cm     F7
I love my Green Bay Packers
Cm            F7         Cm        F7
Tell Willard Scott, tell Oprah and Phil
Cm        C#dim7    A#
I love my Green Bay Packers
A#
​I'll bet even Ditka's a secret Packer Fan
             Ddim    D#
He knows the best shellackers
                        Edim7
So if you're green with envy
     A#                   G7
Wear Gold they're perfect matchers
       Cm            F7        A#
That's why I love my Green Bay Packers

A#
Bup bah da bup bah da bup bah da bah
          C#dim7    Cm     F7
I love my Green Bay Packers
Cm         F7         Cm         F7
Bup bah da bah da bup bup bah da bah
Cm        C#dim7    A#
I love my Green Bay Packers
A#
Don't take this wrong, but compared to old Green Bay
              Ddim     D#
You're just a bunch of hackers!
                        Edim7
So if you're green with envy
     A#                   G7
Wear Gold they're perfect matchers
       Cm            F7        A#
That's why I love my Green Bay Packers
        D#           Edim7
Yes, we take our opposition
    A#                      G7
And crunch 'em like they're crackers
       Cm            F7        A#
That's why I love my Green Bay Packers

F#
We got the best team
F7 A#
Go Pack!

Eddy toca essa polka usando a técnica de tocar o baixo do acorde com o polegar e as demais notas "puxando" as cordas individualmente com os outros
dedos, semelhante à técnica de João Gilberto para bossa nova.
 Ao tocar o acorde A#, Eddy alterna o baixo entre A# e F, assim:
E|-----------------|-----------------|
B|-----3-------3---|-----3-------3---|
G|-----3-------3---|-----3-------3---|
D|-----3-------3---|-----3-------3---|
A|-1---------------|-1---------------|
E|---------1-------|---------1-------|

 Esta linha de baixo também é usada algumas vezes para enfeitar o acorde A#:
E|-----------------|-----------|
B|-----------------|-----------|
G|-----------------|-----------|
D|-----------------|-----------|
A|-1-----------0---|-1---------|
E|-----1---3-------|-----------|

 Transição entre os acordes A# e G7, no refrão:
E|-----------------|-----------------|
B|-----6-----------|-----3-------3---|
G|-----7-----------|-----4-------4---|
D|-----8-----------|-----3-------3---|
A|-----------------|-----------------|
E|-6-------5---4---|-3-------3-------|