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Calm As A Bomb

Rage Against The Machine

Cifra: Principal (violão e guitarra)
tom: C
          
          Calm Like A Bomb
          The Battle Of Los Angeles
          Transcribed by Brutha Fern (MrloB*)
          
          E|----7/19---|
          B|-----------|
          G|-4---------|
          D|-----------|
          A|-----------|
          E|-----------|
            Trem pick.
          *as you begin to slide up, use a pitch shifter that 
           will raise the pitch two octaves up.
          
          E|---------------|
          B|---------------|
          G|---------------|
          D|-9-9-9-9-9-9-9-|
          A|-x-x-x-x-x-x-x-| (x4)
          E|-7-7-7-7-7-7-7-|
            "And a riot be the rhyme of the unheard." (I think that's what he says)
          
          E|-----x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-----------------------------|
          B|-----x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-----------------------------|
          G|-----x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-----------------------------|
          D|-----x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-----------------------------|
          A|-----x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x---------------------------5-|
          E|-5h7-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-5-7-5-7-----7-----7-----7---|
            "Whatcha see, whatcha see, whatcha see, what…"
          
          E|---------------------------------------------------------------|
          B|---------------------------------------------------------------|
          G|-----X-X---------X-X-X-------------X-X-------------------------|
          D|-----X-X---------X-X-X-------------X-X-------------------------|
          A|-----x-x-5-------x-x-x-5-----------x-x-5---------------5-------|
          E|-5h7-x-x-----7---x-x-x-----7---5h7-x-x-----7---5-----------7---|
            "Calm like a bomb! Ignite!"
          
          For the solo, keep nailing away at the B note 
          and I think the other note he uses is its perfect 7th. 
          Just mess around with those 2 notes and you'll get the idea.
          
          Note: For the distortion, I think he uses an octave 
                split which divides the single notes into one 
                regular note and another an octave lower. That 
                or it could be just "*.K's" cool ass bass shit.
          
          Email me if you have any comments.
Composição de Brad Wilk / Tim Commerford / Tom Morello / Zack de la Rocha
2.673 exibições
    • ½ Tom
    • A
    • Bb
    • B
    • C
    • Db
    • D
    • Eb
    • E
    • F
    • F#
    • G
    • Ab
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